The Unmistakable Roy Lichtenstein Style

Known popularly as the 'Master of the Stereotype' , Roy Lichtenstein was a great iconic figure of the American pop art movement. Renowned for his comic style of pop art, this leading American pop artist showed to the world that tongue-in-cheek humor could be brought into a simple comic strip that parodied an idea or…

Known popularly as the 'Master of the Stereotype' , Roy Lichtenstein was a great iconic figure of the American pop art movement. Renowned for his comic style of pop art, this leading American pop artist showed to the world that tongue-in-cheek humor could be brought into a simple comic strip that parodied an idea or expression. Here is more information about him.

His early years

Born into an upper middle class family in Manhattan, he demonstrated an interest in the arts from his schooling years. Also a jazz fan, he often drew portraits of musicians playing their instruments. From then onwards, he took classes in art and also trained at the Art Students League of New York. He later studied in the Ohio State University and took up studio courses and also a degree in the fine arts. His work demonstrated a strong influence of cubism and expressionism, with abstract expressionism having a great influence on his works. Other than canvas, he also worked with other media of jewelry and ceramic to create art.

The Roy Lichtenstein Style

It was in the 1960s that Lichtenstein began taking deep interest in pop-like images. He began experimenting with cartoon images and styles, aspects that later led on to create his unique style. One of his remarkable works came through, when his son thread a challenge at him, showing him a picture of Mickey and saying, 'I bet you can not draw as good as that, dad.' ' Look Mickey ' emerged from that experiment, and then led on to many more memorable pieces. His growing interest in consumerism inspired imagery took him to creating many unusual pieces of art.

Popular works

Roy Lichtenstein created many masterpieces. His work used comic style imagery with thick outlines, bold colors and ben-day dots whichave photo-like color reproductions. His popular works include the Drowning Girl (1963), WHAAM (1963) !, Pow wow (1979), Grrrrrrr !! (1965) and The Head (1992) to name a few. Some of his works are today displayed at the Tate Modern in London and the Museum of Modern Art in New York. The National Gallery of Art in Washington DC is however noted to be the largest repository of his works. During the 1970s to 1980s, he also produced a series called 'Artist's Studios' where his style further improved.

Awards and Recognition

He received various awards in his lifetime. These included the National Medal of Arts, Washington DC (1995), Kyoto Prize (1995), Creative Arts Award in Painting, Massachusetts (1991) and also awards by the American Academy of Arts and Letters, New York (1979) and also the American Academy in Rome (1989). Moments of recognition also came in 1977, when he was commissioned by the BMW to paint the Group 5 version racing car. One of his paintings, Torpedo..Los was noted to sell for $ 5.5 million in 1989, at an auction held by Christie's. Other important sales were made in 2005, when In the car sold for $ 16.2 million and a 1964 painting sold for $ 42.6 million.

Roy Lichtenstein wave the pop art culture a new direction to think in. His fresh ideas and work have inspired many artists across the world to experiment with new concepts and materials. An important person who shaped modern art, Roy Lichtenstein drew with a certainty and knowledge of what the end picture would look like. Although he is no more, his art form lives on many walls, continuing to inspire millions of artists every day. Samples of his work are available at http://www.personal-art.me.uk as personalized versions.

Things to Consider for an Effective Logo Design

With the growing rivalry in online marketing today, logo design has started playing a pivotal role in establishing identity for a brand. A logo is equally important for an organization that does not have an online presence. But, the significance is more for an online entity. The reason can be taken from the fact that…

With the growing rivalry in online marketing today, logo design has started playing a pivotal role in establishing identity for a brand. A logo is equally important for an organization that does not have an online presence. But, the significance is more for an online entity. The reason can be taken from the fact that you can find a significantly large number of companies offering the same range of products or services on internet. Out of which there are several that have similar brand names, so much so that, many of them have very similar company names. They can only be differentiated based on their website designs and domain TLDs ie. .org, .com, .net, .biz, etc. Does not it become confusing? Yes, it does. Here, a logo design is the only thing that proves as an authentic tool for differentiation.

Things to consider for an effective logo design:

Name of the organization / product / service: This is the first thing to consider before getting ready to get a logo design for your business. Be clear whether you need a product specific logo or a brand specific logo. There should not be any confusion about this, as it might result in unhappy results. Remember, a logo carries the essence of your company and brand and you would not be changing your logo design time and again, doing so can hamper your brand's image badly. So do not make haste at all.

Slogans or Punch-lines: It is another important thing that should be taken into account beforehand. Ask yourself the questions like– What all you wish to get included to the logo? Should it have a punch line or slogan? Should it include just the initials of your company's or brand name or the complete name? Answering these questions will give you an idea about of probable logo design.

Color schemes and graphics: This is the time to decide what color schemes or graphics you would like on the logo. As the recent trends, most of the organizations are using a specific color combination as their brand identity. Remember the red on Virgin and the blue on Facebook? The color of your logo is certainly an important part of your own design. Secondly, if you need any specific graphic design or image on your logo, make it clear. For instance, you can use the graphic theme of a house if you are a building or construction company, or a writing pad or pen if your business relates to education.

The message: The final step is to decide what you wish your logo design to convey to the people. As I already said, your logo will be carrying the essence of your business, so it must convey a candid message to your potential customers. Try to make a logo as easy as possible. One should get an idea about the nature of your business, just by having a look on the logo.

Now when you are ready with all these four main aspects of your logo design, approach a professional who you think can carry this responsibility for you. It will be easier for both you and your designer to understand and communicate while designing the logo.

Scanner Darkly to Pop Art

The film Scanner Darkly, has not just an engaging storyline, but also great animation. Its unique look is what many viewers enjoyed. But some artists took the next step forward. They attempted to convert the Scanner Darkly dynamic look from the film to a static style of two dimensional portraits. Here is more. Story line…

The film Scanner Darkly, has not just an engaging storyline, but also great animation. Its unique look is what many viewers enjoyed. But some artists took the next step forward. They attempted to convert the Scanner Darkly dynamic look from the film to a static style of two dimensional portraits. Here is more.

Story line of the film

This is a cult film, based on a futuristic story of a drug epidemic and how an undercover cop in the future gets involved in it and starts losing his identity. The story is based in the year 2013, when America loses its war to drugs and a substance D affects many people across the country. The plot showscases the use of high technology surveillance systems that are created to tackle this drug epidemic.

Unique style of the film

Based on a popular science fiction book, the movie has a unique futuristic style. The characters of the film appear much different and have a distinct look about them. The new graphic look they have, has been achieved by first filming digitally and then animating the film by using interpolated rotoscope. Tracing was done over the film, frame by frame. The disheveled drug-addict look of Keanu Reeves is cool and was achieved after hours of frame by frame repainting. Other characters of the near future Orange County also appear different.

More about this pop art form

Because popart referes to popular art, proponents of the same made their efforts in translating the look of the film on to canvas. After various structure and color combinations, a desirable look was achieved. The Scanner Darkly pop art concerts of backgrounds and characters like in the film. Heavy black lines and solid color shapes are used. Each image is transformed to look like it is a part of the cult film. For this digital photographs are taken and then altered to give the solid colors animated feel. Professional artists finally retouch the photo by hand to give a realistic look.

Suggested printing mediums and gifts

The style looks great not just on canvas, but also on a range of other mediums. Buyers can therefore opt to have portraits printed on mugs, t-shirts, bags, clocks, cushions and other items of décor. Natural slate is another great medium to have these portraits on. Pictures done up in this style can be great as corporate or personal gifts. These can enhance the look of corporate décor and are suitable for both indoors and outdoors. The fresh, unusual and appealing elements of this style make it a wonderful piece of contemporary art.

The look of the Scanner Darkly cult film portraits is new and appealing. The portraits appear in a realistic background and the colors are more subtle than loud. Although many online sites today show step by step processes of how to convert photos to scanner darkly art, the results are often not good. To have a good picture, with great finish, opt to work with professional artists who can create perfectly wonderful portraits.

7 Tips For Making Money With Art

Making money with art is not as straightforward as it looks. The strategies and techniques behind the success are just as involved as making the art itself. This article provides seven tips for making money with art. Tip # 1 for Making Money with Art: Networking Networking is an essential tool for freelance graphic designers…

Making money with art is not as straightforward as it looks. The strategies and techniques behind the success

are just as involved as making the art itself. This article provides seven tips for making money with art.

Tip # 1 for Making Money with Art: Networking

Networking is an essential tool for freelance graphic designers as it can lead to business opportunities through friends, family, previous clients, and so on.

Joining design communities in your area and attending events can open new avenues and prove very beneficial. By doing so, you can demonstrate your presence in the design community. Social media, in today's world, also plays a huge role in professional networking. Some popular social media outlets include Twitter, LinkedIn, and Facebook. Through these media outlets, designers are able to build a strong network of their clients, colleges, friends, and fellow designers.

Tip # 2 for Making Money with Art: Maintaining Relationships

While it's obviously important to get new clients, it's equally as important to try and keep relationships with them after a project is completed. By creating long-term, stable relationships with clients, you may gain their loyalty for future endeavors and they may also refer you to other clients.

Tip # 3 for Making Money with Art: Differentiating Yourself

Clients are often willing to pay more for things that stand out. Making you and your design work stand out can offer the same results. Try and differentiate your style and methodology from that of your competitors, so that you can charge more.

Tip # 4 for Making Money with Art: Multitasking

Having the ability to branch out and demonstrate your skills in various areas of graphic design may also make you a more valuable asset to clients. Although it is important to specialize in a single area of ​​graphic design, being able to assist in other areas of graphic design makes you a more favorable candidate for a job. You should know the basic how-to of different areas that are associated with your job, ie, website design, copywriting, and printing.

Try and keep your skills and knowledge current concern logo design, brochure design, and website design. This should make you a more valuable asset and should open the door to more clients and projects.

Tip # 5 for Making Money with Art: Offering Extra Services

You may consider offering bonus services to your normal design services; not only will it make you stand out from the competition, it will also allow you to determine the appropriate cost for such a service that will extremely result in a profit.

People, as well as decision makers, are always looking to get things for free so these add-on services could be a deal breaker. An example of this could be to offer clients multiple services at the cost of one by using the incentive: purchase a website design and get a logo free of charge.

Tip # 6 for Making Money with Art: Treating Clients Differently

You should keep separate pay rates for small, medium, and large businesses. Since a smaller business simply can not afford what a larger business can, they need separate rates. And since you want to keep your services open to all company sizes, you should come up with rules to establish different rates depending on the business category. Keeping your services open to a broad range of clientele will assist you in making money with art.

Tip # 7 for Making Money with Art: Sharing Information

Share your knowledge and expertise with others. Doing so enables you to learn more and allows you to focus on improving your skills. For example, you can share your knowledge by writing articles related to your area of ​​specialization. Several graphic designers do so in the form of blogging. You can make money doing this and in turn, you can add experience to your graphic design portfolio.

By utilizing these strategies you can start making money with art.

Of Wit and Tragedy – Sculptures by Hanna Gerlind Glauner

Hanna Gerlind Glauner's beautiful objects both amuse and provoke. Her observations possess both beauty and poise in their solidified imagination. Her exhibition in the Klein-Schreuder Sculpture Garden, Alfaz del Pi should not be missed. Sculpture is capable of presenting itself in a highly conceptualised manner. Shapes can be featured purely as themselves, as forms that…

Hanna Gerlind Glauner's beautiful objects both amuse and provoke. Her observations possess both beauty and poise in their solidified imagination. Her exhibition in the Klein-Schreuder Sculpture Garden, Alfaz del Pi should not be missed.

Sculpture is capable of presenting itself in a highly conceptualised manner. Shapes can be featured purely as themselves, as forms that require us to interpret, associate and ever explain so that we might make sense or perhaps no sense of them. At the opposite end of the spectrum, sculpture can also be utterly representational, more so than in painting, since an object's third dimension can be real, rather than realized. Occidentally a sculptor can entangle and combine these extremes and then play with observers' intellect as well as their vision. When the process also involved wit and invention, the mix can become confusing. Such is the experience presented by the work of Hanna Gerlind Glauner, on show until October 30 2011 in the Klein-Schreuder Sculpture Garden, Alfaz del Pi.

Hanna presents objets trouvés, bits of metal rescued from scrap yards in Spain and Germany. Dismantled, inverted or reassembled tools form the bulk of these objects, but there are carding combs, scissors, jump-lead clips and stocky marine nails as well. What is remarkable is Hanna's vision in assembling them to form provocative, funny, tragic, moving images.

Rumpelstiltskin is dancing so hard he is coming apart. Crusaders approaching Jerusalem is close to a cartoon. A young couple out for a walk has the father pushing the pram. There is a bishop with acolytes almost hiding in his robes.

But then there's boat people, a row of round-head clips counting themselves along the length of piece of iron that would sink. Meanwhile, four dividers stand legs apart and align their adjusters to mimic the raised rifles of Goya's Third of May 1808.

The inventor of the wheel presents his concept. He is tall and one-legged, and so needs the wheel. A young girl is tall and elegant. Another carries water in Africa. Full details are at http://www.klein-schreuder.com/index.htm .

Unravel Secrets of Photoshop Masking

Ordinarily, Photoshop masking has been a fixture tool of the earlier versions of the software. Used for determining the layers of transparency in a picture, the mask conceals one aspect of a composition, and / or reveals another part. Effects are used to make text or generate graphics as required by the client's brief. Too…

Ordinarily, Photoshop masking has been a fixture tool of the earlier versions of the software. Used for determining the layers of transparency in a picture, the mask conceals one aspect of a composition, and / or reveals another part. Effects are used to make text or generate graphics as required by the client's brief. Too much contrast can hamper the quality of a picture. For example take a picture with one part showing a sunny side and a darker part on the other end. There is high contrast in this picture. The mask can be used to control the contrast of this picture. The color mask is needed to repair this picture to have a uniform quality. A compilation of masking layers typically gives the much-needed final result. Now is the time to move beyond the realm of only layer masking. Try the technique of after effects. It is the latest to hit the graphic industry. Soon the professionals will be divided into those who apply after effects and those who are ignorant about it. Already a sizable number of designers are using it along with Photoshop masking. But not all editors who use Photoshop masking may try out after effects. And here is an interesting tale and a guide to unravel its secrets.

Imagine working on a digital image of a star hurtling down to earth breaking away from the universe. Normally, to create the fragments, drop shadow or reflective mirror effects would be used. They are fabulous to give a 2-d picture a 3-d look. The power of after effects can be more magical in such a case. Editors can use after effects after the initial edit on Photoshop masking has been done. Some animation and vivid graphics can be added. When both are integrated, the final image can become a masterpiece on a PSD file. Creative exploration of the technique can produce dramatic effects. Most editors like to experiment and this is one trial an editor must try. It will only enhance his skills to produce better work. There are several tutorials that can add to his existing knowledge of graphics.

Understanding how Photoshop masking works is one of the most important needs for the designer. It is like getting a black belt certificate from the industry. By grasping the latest technological nuances, designers can make mind blowing movie posters, covers for cds, surreal graphics for digital art and also creative ad campaigns. Even website graphics can be mastered with the new secrets of latest Photoshop masking tools.

Masking is required for altering backgrounds of images. It removes the attention from the bad elements of the composition. The use of the color mask makes the main subject more focused. Graphic editors need to continue to update their graphic skills to get more clients. As new technology like after effects emerges, the chances of more images getting a brand-new look is conceivable. With competition being tough even online, the one who has a secret ace up his sleeve is able to get better opportunities to showcase his talent.

Learn How to Airbrush

Anyone can learn how to airbrush! Thankfully through the use of overhead projectors & stencils, you do not even need to be able to draw in order to learn how to airbrush! How is this possible? Would you believe that all airbrushed artworks are created using only five different actions? There are two strokes &…

Anyone can learn how to airbrush!

Thankfully through the use of overhead projectors & stencils, you do not even need to be able to draw in order to learn how to airbrush!

How is this possible?

Would you believe that all airbrushed artworks are created using only five different actions?

There are two strokes & three effects that make up the entire airbrushing alphabet!

This is the simple fact behind why anyone can learn how to airbrush.

We are going to go through the very basic airbrush actions required to get you to a stage where you can comfortably begin airbrushing your own artworks!

For the sake of this article I am going to assume that you already own a double action airbrush, an airbrush compressor & have a space set up where you can flick a switch and start airbrushing within 60 seconds.

The first thing to learn about an airbrush is how to hold it correctly!

Pick up the shiny little art tool the same way that you would hold a pen! Ensure that your index finger is on top of the trigger for air control with your thumb & index finger on opposing sides. Once your fingers are in the right place it's time to start learning how to double action correctly!

Double actioning is done to maintain airflow while airbrushing. If you shut off the airflow before you shut off the paint flow, then the next time you push down for air you will get a lovely splatter right in the middle of your artwork!

To avoid this happening follow this simple process:

  1. Holding the airbrush correctly, push down on the trigger for airflow.
  2. Aiming the airbrush where you want your paint to hit, pull back on the trigger for paint flow.
  3. When you have applied enough paint, push forward to shut off the paint flow.
  4. Only then can you shut off the airflow.

You are now double actioning correctly!

The next step to airbrushing correctly is correctly to learn how to airbrush the two different strokes!

The first stroke is more commonly known as a dot!

The dot is the most simple of the airbrush actions and can be done repeating the process described in the list above.

The second stroke (better known as a line) is a little more tricky as it involves pushing down for air, pulling back for paint & a third element – movement. Again this is done exactly the same as the double actioning however you must be moving before you can pull back for paint & push forward for paint before you stop moving. confused yet? This simply means, move before you paint.

Finally we can learn how to create the three effects!

These are made up of two different blends & the dagger stroke!

The first two of these effects are done by executing exactly the same action as the first two strokes, however we are adding a fourth and fifth element – angles & height!

For each of these effects we would follow the same steps listed above but with 2 additions:

  1. Angle the airbrush at 45 degrees to the canvas.
  2. Pull the airbrush directly back towards you

In the case of the blending line this would mean creating multiple lines while getting slightly further from the canvas with each pass.

In order to learn how to airbrush a dagger stroke correctly, you should follow the steps for creating a line, however we are going to add height and speed.
Begin the effect as if you were airbrushing a line but move closer to the artwork as you near the end of the effect.

At the end of the effect, speed up and flick the airbrush in the direction of the effect to encourage a nice, long tapered line.

That's it!

We estimate that it would take an absolute beginner from 32 – 48 hrs of practice to master these effects.Once these can be done fairly and accurately at different heights and opacities, then you are ready to begin creating your first artwork!

How to Get Past a Creative Block

Most of the time, I spend my day job hours unable to wait until I can get home, sit in front of my computer or grab my sketchbook and draw or paint my life away. Sometimes though, I will sit down to do work, and find that all of those ideas that I had in…

Most of the time, I spend my day job hours unable to wait until I can get home, sit in front of my computer or grab my sketchbook and draw or paint my life away. Sometimes though, I will sit down to do work, and find that all of those ideas that I had in my head have just leaked out of my ear. What even happened? Where did those juicy concepts go, they were there a minute ago? Crap!

Well it seems that the problem is not a lack interest or desire, but that quite simply the creative tank is empty. Just like a musician who is stuck on writing a song versa, drawing and painting is very similar. It's easy to get stuck in a rut. So how do you get “un-stuck” you might ask? Try the following ideas the next time this happens:

1. Take a Break : Again, for me I can not stress how important it is to take breaks. If you spend all of your time putting pressure on yourself to come up with a great drawing or painting, it will not happen. To use the musician reference, musicians and producers need to give their ears a break and the same needs to happen to visual artists' (eyes). Stop what you are doing and come back to it a bit later with fresh eyes. You never know, between the time that you leave your drafting table / computer desk and the time that you return you might already get unstuck.

2. Find Something to Inspire You : For me, I get a lot of inspiration from character designs, cartoons, movies, video games, art books, tumblr, deviantart, illustration books, anime, my favorite movies, magazines anything. The great thing about being an artist is that inspiration can come from anywhere and at any time. The key is to find out what inspires you most and use that.

3. Go to a Museum / Study Art History : Up until now I did not value the importance of art history and studying past artists as much as I should have. A good idea to fill up your creative tank is to go back to the basics and take in some exhibits. Find the type of artists that you like most and use them as inspiration. You can even try exhibits that you would not normally go to on your own (just to try something new).

4. Listen to Pod Casts : One of the key benefits to listening to podcasts is hearing what other artists have to say about their own issues with creativity. I know that for me it always helps to know that other people sometimes have the same problems with coming up with ideas. There are a ton of podcasts to choose from.
Look online and try and few different podcasts and before you know it you will be hooked.

5. Network With Other Artists : You hear a lot about how networking is so key in any business or industry, and it's true. Sharing your ideas can be one of the easiest ways to work through a problem. Linking up with other artists can help you look at your own work from a different perspective and open up new ideas. Once this happens you might be headed back to the drawing table or computer with an entirely new direction. Voila Creative Block Unblocked!

Pencil Portraits – 3 Biggest Mistakes

Pencil drawing is a favorite past time of many people. The difference between an amateur looking pencil portrait and one that is more realistic all boils down to 3 big mistakes that happen quite frequently to beginning artists. The distinguishing difference revolves around the treatment of the eyes, nose, and the mouth and teeth. With…

Pencil drawing is a favorite past time of many people. The difference between an amateur looking pencil portrait and one that is more realistic all boils down to 3 big mistakes that happen quite frequently to beginning artists. The distinguishing difference revolves around the treatment of the eyes, nose, and the mouth and teeth. With a few well taught and applied techniques your portraits can come alive.

Expert artist, Christopher Sia, gives many valuable tips in his Pencil Portrait Home Study Course, but the three biggest mistakes all have to do with proportion and perspective of the facial features, and the contours created with shading techniques.

The first big mistake involves drawing eyes. It is one of the most difficult feats to accomplish. While it has said that the “eyes are the windows to the soul”, most amateurs are limited in their ability to make the eyes in their portrait jump off the page. The result is usually very flat, two-dimensional at best, and staring rather liberelessly. The key is in the shading to give the eyes dimension. Also critical, according to Chris Sia, is to pay attention to the variations within the iris, the center of the eyeball. By the way, the iris is oval, not round, as most people draw it. Wrapping the eyelid around the eye is also crucial to producing a realistic portrait.

Next, consider how to capture the shape of a nose. Rather than outlining the entire nose, start at the bridge, the space between the eyes, and starting shading in the nose with the side of your pencil for a more realistic. Shade lightly and add darker shading as you work your way down and round it off at the tip. Later, you can add freckles or pores in more detail that you observe in your photograph model.

Finally, one of the biggest mistakes, yet easiest to correct, is failure to give the lips texture. Even the most beautifully shaped lips have small lines in them. It is best to begin with a light outline of the lips and the teeth to help establish the proportions and placement. The corners of the mouth should line up with the center of the eyes. Then, again use shading techniques and drawing in tender lines, illustrating the texture with light and dark shadings.

I highly recommend Chris Sia's home study program which provides valuable tips and exercises to gain mastery over these critical areas and help to draw realistic portraits .

5 Tips To Draw Faces Realistically

Have you ever watched someone who is really good create a drawing? Especially if he or she is drawing a portrait of someone's face? When an artist who has real talent draws faces realistically, he makes it look so natural and almost effortless. But that's just how it looks on the surface. Most portrait artists…

Have you ever watched someone who is really good create a drawing? Especially if he or she is drawing a portrait of someone's face? When an artist who has real talent draws faces realistically, he makes it look so natural and almost effortless.

But that's just how it looks on the surface. Most portrait artists use a structured process to draw faces step by step. There's a whole lot going on behind that pencil that you and I, as spectators, are not even aware of. And it's not just spontaneous inspiration. It's training and practice that makes it look so effortless.

So even though drawing faces realistically does take some talent, it's mostly based on educational instruction and I'd like to share some of that instruction with you. Read on for the “secrets” of how to draw faces step by step.

Step 1

Decide which shape best illustrated the face. Is it a circle, triangle, rectangle, oval, or square. Draw the outline of the face and hairline with this in mind. Then, either imagine in your mind or draw on the paper, two guidelines, one straight down the middle, and one directly across the middle, creating four equal parts of the face. This will help you keep the proportions of the face.

Step 2

Without you know how to follow a step by step structure to draw faces this is usually the part where most people will get totally lost. Even if it seems wrong to you at first, the eyes should be placed on the middle, horizontal guide line.

Then, draw a light sketch of the nose directly in the middle between the eyes, about half-way down from the middle horizontal line, creating an imaginary upside down triangle between the eyes and nose.

Place a short, straight horizontal line under the nose, halfway down, for the mouth. Then add the ears, making the top of the ear line up with the eyes. So far, you are just getting a very light outline sketch.

Step 3

At this point you can start adding some detail to the eyes and mouth, eyelids, eyebrows, and lips. It is best to be working from a photograph as your model when you are a beginner. Look closely at the iris of the eye and use small, fine lines to create the variations both there, and in the hairs and textures of lips and folds of skin around the eyes.

Try to keep the outer edges of the mouth in line with the center of the eyes. Draw the upper lip first and then each tooth. Finally, sketch in the lower lip. Notice the many small lines in the lips. They are not smooth.

Step 4

Practice shadowing at this point. Shadow under the nose, at the top of and inside the ears, under the mouth, between the eyes, etc. Do not go crazy, but at the same time, do not be afraid to be bold.

Step 5

The more you practice, the more your drawings will begin to look more and more like the face you're drawing. So once you get those basic facial features down, it'll be time to work on adding some hair, and creating a three dimensional portrait through shading and light and dark.

Do not be discouraged if your first attempt at drawing a face realistically falls short. In fact, it might not look much like anyone at all. Just schedule time to keep working at it.

You can get an excellent home study course with detailed step by step instruction and practice exercises right on your computer, at a fraction of the cost of in-studio drawing lessons .

Art: Buying and Selling Out

I love art, all art. I love the forms it takes on, the agendas, the substance, controversy, boldness and the lack all there of. Engaging in someone else's creation, reading their artist statement and getting to know and understand a particular piece or body of work is like getting to know a person who is…

I love art, all art. I love the forms it takes on, the agendas, the substance, controversy, boldness and the lack all there of. Engaging in someone else's creation, reading their artist statement and getting to know and understand a particular piece or body of work is like getting to know a person who is alive, thinks, breathes, and communicates. As an artist I like that the things I create have the potential to be worth hundreds or thousands of dollars allowing me to provide for my family while loving what I do but arts worth is a double edged sword. People who spend millions investing in art make it worth millions according to the market because of what they spend. At the same time buyers and collectors large care little about what they buy. Some buy art just because they know the value will sustain if not increase especially with deceased artists, even that I can live with compared to buyers who fain having a deep understanding of the artists they buy while in reality only buying because its a Picasso or Van Gogh.

Vincent Van Gogh sold one painting his entire life and it was to his brother Theo who probably would have just given him the money, and to become a posthumous millionaire, he must be rolling over in his grave. Their in lies the problem, people who spend big time money on art do not buy it because they love it they buy it because someone told them it was good art. In most cases art is an expression made to solicit a reaction and that reaction should be what compels you to buy art not the name the piece is under. That's the way the modern art words works and will continue to work, so let the next Van Gogh die without ever giving that person the recognition they truly deserve.

Besides why take a chance on buying art you like when you can wait for someone else to tell you what you like. Alas I can notgue with someone who spend millions on Gauguin or Van Gogh as I think most of their work merits this kind of fame and recognition but I came at this conclusion from independent study of artists, their work, and the contributions that they have given to the art world. My love and recognition of good art includes the nameless yet to be acknowledged artists and does not stop with only the famous.

A Guide to Become a Competitive Graphic Designer

A graphic designer is a professional who designs and creates various types of graphics to be published via printing or electronic media. A prospective graphic style artist must have an eye for art and creativity in first place. In addition to the talent, a graphic style artist should possess acceptable educational qualifications and training certificates…

A graphic designer is a professional who designs and creates various types of graphics to be published via printing or electronic media. A prospective graphic style artist must have an eye for art and creativity in first place. In addition to the talent, a graphic style artist should possess acceptable educational qualifications and training certificates in the area to be competitive.

The main pathways to become a graphic designer are through a training course or by self study and practice. Almost all the computing schools and universities offer degrees, diplomas and certificates on graphic outlining. There are programs in multimedia, graphic design, advertising, animation, web development, 3D animation, Interface outline and so on. Nowadays, most graphic artists have a bachelor's degree, commonly in graphic draft or fine arts. A degree can not exhibit a designer's artistic skills but it is considered essential to have some paper qualifications to gain competitive advantage in the job market.

Or else an interesting person can follow short-term training courses which are available in training institutions. A student can specialize in various graphic outsourcing software packages by following these short-term courses. As well as the knowledge of creating concepts, a graphic creator should show some proficiency in one or more graphic design software tools to fit the industry demand. The most widely used software in the graphic design industry is Adobe Creative Suite. It includes the well-known designers' tools like Photoshop, Illustrator, InDesign, Dreamweaver etc. It is very much important for a graphic drafter to be conversant with those software tools either by taking a course or by just playing around with them. For a web graphic designer, it is further beneficial to learn at least the basics of some programming languages ​​like HTML, CSS and Jscript. Except for these widely known technologies, it is important for graphic creators to be observant about the new software tools and latest trends come in the field.

There's a set of soft skills usually seek by the graphic model recruiters.

Those are:

• Good design sense
• Fresh and unique ideas

Good communication skills and interactions

• Client-service oriented

Stress handling and meeting deadlines

• Attention to details
• Good vocabulary
• Good at catching errors

All together with these talents, skills and education, a graphic creator must gain some good experience to go a long way. Similar to many other carers, establishing a strong career as a graphic stylist can not be achieved overnight. Once the stylist is in the track, he should gradually build up a portfolio. A portfolio is an initial way to demonstrate its talents and capabilities to the clients or employers.

The other important practice for a good graphic stylist is to develop his own style. A professional graphic stylist should gain sufficient knowledge and experience to come up with his own exclusivity. A graphic designer should always follow a certain unique style to become an outstanding professional. If the others can identify the creator just by seeing his designs, it's going to get him so much of reputation.

In conclusion, an eye for art, a good educational background, familiarity with design tools, soft skills and uniqueness together make a competitive graphic creator.

Realistic Thoughts On Diversifying Your Art Investment Portfolio

Do you know the difference between an original print and a limited-edition print? Some would contend that they are one and the same as far as originality goes, but you can certainly purchase a limited-edition print which is not an original work of art. An original print, therefore, is basically created by hand from a…

Do you know the difference between an original print and a limited-edition print? Some would contend that they are one and the same as far as originality goes, but you can certainly purchase a limited-edition print which is not an original work of art. An original print, therefore, is basically created by hand from a stencil or plate that has been hand created by the artist in order to produce the finished result. You will see that the artist signed the original in pencil as a fraction number, to indicate it's part of the total edition. In other words, it could be 24/100, which means that the print itself is 24th in an edition of 100. In these situations the artist is very much hands on when it comes to this entire process and he or she will often experiment before being happy with the plates used to generate the finished product. The final printer's proof is also called a BAT.

Note that the limited-edition print may not be the work of, directly, the artisan as outlined above. It could be a simple reproduction of a painting or drawing and even though it may be signed once more by the artist, it might not be the direct work, per se, of the person.

Today, with our advanced levels of technology it's perfectly possible to produce digital files of an image stored on a computer in a process known as Giclee's. Other transfer methods are tending to blur the line between what can be classified as an original print and a reproduction. Purists argument on both sides of the equation and it's true to say that when you buy signed limited edition prints as a fine art investment you should have a fairly clear idea of ​​how that product has been produced in the first place. This will give you a clear indication of its value and how it may help you to boost the ultimate value of your portfolio as time goes by.

Whenever considering the diversity of your largest investments it's well worth your while looking at fine art as a part of this. Many studies have shown that art collections can help you to get a 10% compound return over a length period of time, which is as good or better than many of the major stock market indices. In fact, with the stock market being as volatile as it is right now many experts consider that you should shift some of your investments into other areas that may be somewhat less susceptible to current, political and economic machinations.

Whilst no one can predict the future of course and there is always a certain element of risk whatever you plan for your economic future, people who diversify into art in this way often say that they have more hidden and hands-on approach and therefore feel as if they are in some way contributing more to their potential gains. Somehow or other the events of recent years should make us all feel that we bought to be more “in control!”

Edinburgh Graffiti and the Art of Tagging

The writing is on the wall in Edinburgh, and where it's readable it shows that a certain group of young people have been very busy. Their names? Well there's the ubiquitous Sine, and there are the NSA and OE gangs; and there's Winston and a whole host of others; but where are they coming from?…

The writing is on the wall in Edinburgh, and where it's readable it shows that a certain group of young people have been very busy. Their names?

Well there's the ubiquitous Sine, and there are the NSA and OE gangs; and there's Winston and a whole host of others; but where are they coming from?

In the case of many of these, they are coming from quite good homes actually. The fact that graffiti writing materials are so expensive, just like the neighborhoods preferred by many of these guys, show a certain middle class sensitivity to begin with.

In some of these cases too, they are artists who in their field, have achieved international recognition and far flung celebrity. Take Arek, one of Edinburgh's best known vandals. Just because the people of Edinburgh see Arek's tags written up on their telephone kiosks and communications exchange boxes, they might assume that he is a bored teenager with a rebellious streak. Well he may be both (though he's not) but the fact is that Arek has made incredible works of street art all over Europe, much owed by those in the know.

There are a lot of good websites out there that display these taggers' work, and they're all worth looking at. Publicly however, the serial taggers are pretty much despised, as people dutifully remove their tags, only to find them and others written up again a week or so later.

And there is not a single part of town that's immune. OE tags in particulalr are found in every area of ​​Edinburgh, from Clermiston to Leith and far beyond; but that's what the OE are about – Owning Edinburgh. All of it is based on a craze that began in New York as recently as the early 1970s, and although it comes and goes in waves, it would seem that as of 2011, there is a particular rise in tagging activity.

Legal it is not; pretty it is not; what about it then? To get technical and psychological about it, the closest comparison would be shoplifting. Shoplifting is another addictive and antisocial pursuit that like tagging, can become compulsive for those involved. There's a buzz, yes; and as for the risks, they are huge. It's not pleasant being done doing either, and many a tagger will tell you a tale of both.

In the meantime, and until the current craze dies, Edinburgh, you will have to put up with the horrid writing on the wall, I guess.

Rotoscoping – Yesterday and Today

The Rotoscope is a device that allows animators to design images for animated films. It can be used to encourage, following a filmed live reference. It can be considered a precursor of the art of digital motion capture. The rotoscoping is to draw each frame of an animation film on an original drawing. This picture…

The Rotoscope is a device that allows animators to design images for animated films. It can be used to encourage, following a filmed live reference. It can be considered a precursor of the art of digital motion capture. The rotoscoping is to draw each frame of an animation film on an original drawing. This picture is transmitted to the natural and sequential movements, expressions, lighting, shadows and proportions typical of a film.

It was invented by Max Fleischer, who used it for his series “Out of the Inkwell” from 1912. Fleischer was helped by his brother Dave Fleischer, who used it for his series “Out of the Inkwell” from 1914.

The rotoscoping was subtly used in a wide range of cartoons, the most notable “Cab Calloway”, “Betty Boop” at the beginning of the decade of the 30's, and the animation of “Gulliver's Travels.” Walt Disney used it in “Snow White and the Seven Dwarfs” for animation of Prince Charming. Ralph Bakshi repeatedly used it in his version of “The Lord of the Rings” in 1978, but due to lack of budget the result was not desired and criticisms taken umbrage with it.

A clear example of the use of this technique was the video for the song “Take On Me”, the Norwegian group A-ha, which was inspired by the art work of a student, with the rotoscoping system. The vivid scenes (not animations) were taken at Kim's Café and a sound studio, both in London, England. Tells the story of fantasy in which a girl (played by actress Bunty Bailey) is a dreamy romance with the hero of his favorite comic (played by Morten Harket).

For the film “The Lord of the Rings: The Two Towers and The Return of the King” in 2002 and 2003 respectively, the engineers were forced by producers to use the technique of rotoscoping 3D for actor Andy Serkins all virtual character animations Golum, as the result of motion capture animation or simple vectorization of the character was rejected by incomplete and unrealistic required for this characterization.

The rotoscoping was frequently used as a tool for special effects movies. As an example, light sabers of “Star Wars”, which were drawn on the previously filmed scene with actors carrying sticks.

The term “rotoscoping” is now widely used for digital processes that are redesigned images on digital film. The technique used is still quite special cases, where a blue cloth chroma-key effect can not be used effectively.

The rotoscoping, digitally speaking, is aided by “motion tracking” and “on-skinning software.”

Some movies that have this technology.

These are some movies that have the rotoscoping technique, sometimes used only in a few planes film (The saga of “The Lord of the Rings” or the classic Disney) and sometimes used as an animation technique throughout the film (Anastasia)

Tron

Snow White and the Seven Dwarfs

Gulliver's Travels (1939 Fleischer Studios)

Superman (late 1940)

The Lord of the Rings (1978)

The Lord of the Rings: The Two Towers and The Return of the King (2002-2003)

Tygra fire and ice

The Little Mermaid

Peraustrinia 2004

Beauty and the beast

Aladdin

Pocahontas

Atlantis

Lilo & Stitch

Anastasia

Waking Life

A Scanner Darkly

Heavy Metal

American Pop

Games that use this technique:

Prince of Persia

Another World

Commander Blood

Flashback: The Quest for Identity

The Last Express

Hotel Dusk: Room 215

Last Window: The Secret of Cape West

The World Ends with You

Programs that use this technique:

Owner Software Rotoshop

Rotoscope Free Software

Music videos using the technique of rotoscoping:

The One That Got Away, Tom Waits song.

Take on Me, A-ha song.

Heartless, Kanye West song.

Save me, Queen song.